In 2019, an iconic painting is marking its centennial. Depicting events that happened over 600 years ago, the Kosovka Devojka, or Kosovo Maiden, has become the most widely known image of all of Serbian art. It has become a symbol of charity and mercy, of selflessness, and of bravery. This painting was preceded by others that have not retained the same impact in our collective soul. Legendary, not historic, the Kosovo Maiden is a woman every Serb knows like a sister. Continue reading
“The citizens of Travnik, the wisest in all Bosnia, know more tales than anyone else, but rarely tell them to strangers, much as the rich are loathe to give away their money. One of their stories is worth three of anyone else’s; in their judgment, at any rate “ Continue reading
The Kumanovo district is one that has attracted a lot of attention from folklore ensembles lately, with mixed results when it comes to costume. The region is complex, with two distinct costume forms found locally among Serbian and Macedonian populations. Ethnic Bulgarian and Turkish populations dwindled but their influence remained as well. Moreover, the district experienced rapid changes in costume from the beginning of the twentieth century, something spurred by the preponderance of migrant work (pečalba, gurbet) among the men of the region; returning, they brought home new fabrics and western-style garments that were incorporated into, and eventually replaced, the folk costume. All of these things have led to a bizarre spectacle on the stages of Serbian folklore ensembles: costumes from wildly different time periods, side by side in the same choreography; multiple dancers wearing the heavy bridal headdress abandoned by WWI, even when not presenting wedding customs; and bizarre innovations borrowed from neighbouring regions and cultures. I hope that by sharing some of the costumes from my collection, I can at least sufficiently educate blog readers to spot these anomalies when they encounter them. Let’s make Kumanovo great again, people!
The Tree of Life is known throughout Indo-European cultures, with ancient roots. Slavic cultures are no exception; the Tree of Life had robust meaning in both Pagan and Christian culture. Alongside its ritual and religious use, this symbol entered every aspect of Slavic and Serbian decorative art, from stone and wood carving to weaving and embroidery.
The term Vlah is from Old Slavonic, believed to share a common root with volkh, volkhov (magician, magus) and the pagan deity Volos, Veles (ancient slavic deity, protector of Livestock). The volkhov connection may seem strange, but it is proposed that the word was also used to designate the unknown, or strangers. This could arise from the distinctly different Vlach language which would have been unintelligible to the Slavs, or from the mystical ritual folk life of Vlasi (pl). The Vlachs were overwhelmingly pastoralists, and their lifestyle so closely tied to their flocks and herds that the etymology from Volos or Veles may have some basis there. With the adoption of Christianity, St. Blaise (Sv. Vlasije, Sv. Vlaho) took on the role of Veles, and is considered patron of domestic animals.
What can I say that has not been said about Kosovo? The cradle of Serbian statehood, faith and identity since the arrival of the Slavs, who encountered Romanized populations, remnants of the tribes and colonies of the Roman Empire. Kosovo, which emerged as part of Raška, alongside Zahumlje and Travunija (Hercegovina), Duklja and Zeta (Montenegro) as one of the earliest Serbian principalities, and which became part of the first Serbian Kingdom of Stefan Nemanjić “Prvovenčani” (The First Crowned). Kosovo became the jewel of the Serbian state, with fortresses and monasteries constructed under the order of kings, emperors and patriarchs: Bogorodica Ljeviška, Gračanica, Banjska, Dečani, so many more… prime among them, the Peć Patriarchate, nucleus of the Serbian Orthodox Church. Kosovo was the turning point for Serbian history, too, as Serbian and Ottoman armies met once again, this time on the Field of Blackbirds (kos, Kosovo Polje) and set in motion the events of future centuries, peonies sprouting from the blood of the fallen.
Poljanica is the area centred around the upper course of the Veternica river, a tributary of the Southern Morava river. As it flows towards the city of Leskovac, it passes through a gorge (klisura), and the villages there constitute a smaller microregion called Klisura, or Veternička Klisura. Mountains separate it from the rest of the Vranje district, the historic region called Inogošt or Vinogoš. Towards the west, mount Golak separates Poljanica from Kosovo.
The German geographer Johann Georg Kohl travelled through Dalmatia in the period between 1850 – 1852. Traversing the Dinaric alps, he stopped in Vrlika, which he described in his published notes as “a mouse hole”. Harsh, perhaps, from his well-travelled perspective, but it certainly is not a metropolis. Yet, talk to people who originate from Vrlika and you would think it could rival New York.
Wine is arguably the single-most important substance in the history of Europe. Evidence of early winemaking during the Neolithic exists abundantly, not only in Europe but throughout the Fertile Crescent and the Mediterranean world. It is mentioned in the Bible 233 times, and has permeated the literature of every Indo-European language. Serbian folk songs celebrate it, folk belief venerates it, and it follows a Serb through every moment of life.